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Canon Unveils Three New RF Hybrid Lenses

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Canon RF Hybrid Lenses

Canon RF Hybrid Lenses

Canon has announced three important new additions to its RF series of hybrid lenses; which join an ever-growing range of L-series primes and zooms for the EOS R system. The RF 70-200mm F2.8L IS USM Z, RF 50mm F1.4L VCM and RF 24mm F1.4L VCM lenses are part of a new range of hybrid optics that offer essential video features such as a smooth operation iris ring with an 11-bladed circular aperture, fast and effective low light performance as well as advanced optics and minimal focus breathing – features that satisfy the demands of both photographers and videographers. Canon’s pioneering RF lens mount has made this hybrid lens technology possible and reflects the changing needs of the professional as the demand for a lens without compromise drives them to step into both worlds.

Agile, practical, and with a zoom range that professionals count on, the RF 70-200mm F2.8L IS USM Z is ideal for sport, wildlife, news and hybrid shooting where that extra flexibility and reach is important. It offers professionals critical filmmaking features such as electronic parfocal performance and focus breathing suppression, plus servo zoom via optional Power Zoom Adapters, a built-in 5.5-stop Optical Image Stabiliser and dedicated Iris Ring for smooth aperture control. The lens is compatible with Canon’s optional RF extenders, too, and for smooth zooming the optional Power Zoom Adapters – PZ-E2 or PZ-E2B – can be used by hand or remotely via Canon’s Camera Connect / EOS Utility applications, Browser Remote function or over IP using Canon’s XC Protocol with compatible cameras. The PZ-E2B’s 20-pin interface also supports Canon’s Zoom Servo Grip for more comfortable control as well as Zoom/Focus demands for more studio-based applications.

The RF 50mm F1.4L VCM offers a very useful focal length and delivers exceptional sharpness and outstanding image quality, along with a pleasingly natural angle-of-view, close to that of the human eye, making it perfect for low light portraits, reportage or weddings and event videos with a cinematic look. It is also 40 percent lighter than the RF 50mm F1.2L USM, which will satisfy creators looking for a fast aperture prime with lightweight handling.

The RF 24mm F1.4L VCM, which is around 20 percent lighter than its EF predecessor, offers a wide focal length making it great for landscapes, architecture and interiors, plus environmental portraits, filmmaking and video interviews where showing the subject in context is important. The two primes are the same size and shape as the rest of the hybrid prime range, making them more convenient to use for video rigging.

The RF 50mm F1.4L VCM and RF 24mm F1.4L VCM are the same size as the other hybrid prime lens in the range – the RF 35mm F1.4L VCM – and both offer a fast f/1.4 aperture, which is a great advantage in low light, and with a Nano USM and Voice Coil Motor [3] the lenses excel with exceptionally fast autofocus and near-silent operation. They are also capable of working in challenging conditions, too, thanks to an L-series design housing high-quality glass elements and a water-resistant rubber on the mount. A fluorine coating on the lens’ first surface prevents dirt sticking to the front elements while a dedicated Lens Control Ring, Iris Ring and customisable Lens Function Button bring advanced levels of personalised control.

Designed to reflect and satisfy the converging videos and stills market, all three of these new hybrid lenses – with their video features such as Iris Ring, minimal focus breathing and smooth focus – deliver new levels of creative control, with stunning image quality.

Key features of the Canon RF 70-200mm F2.8L IS USM Z

Key features of the Canon RF 50mm F1.4L VCM

Key features of the Canon RF 24mm F1.4L VCM

Also Read: Canon Recognizes Top-Performing Partners at Annual Dealer Conference in Dubai

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